Monday, December 6, 2010

StoneDance Productions and The Theatre at Meydenbauer

Present

Chop Shop: Bodies of Work

A Contemporary Dance Festival

At The Theatre at Meydenbauer

Saturday, February 12th, 7:30 pm

Sunday, February 13th, 3:00pm

2011

Bellevue, WA – November 30, 2010 - StoneDance Productions and The Theater At Meydenbauer present 'Chop Shop: Bodies of Work', the Eastside's only Contemporary Dance Festival. Returning for its fourth year, this unique festival is a rare opportunity to explore the truly original talents of Seattle-based and Eastside - based artists in two special performances. This is the BEST of the Seattle/Eastside dance community in ONE festival. Chop Shop highlights local contemporary choreography with a focus on dance work that is innovative, accessible and thought provoking. Each of these prolific choreographers has presented work to numerous critical successes throughout Europe, Asia, Latin America and the United States. Though each company/artist presented possesses their own individual voice, they are all unified in the contemporary language of dance and its power to stir the senses through the visceral moving image.

This is an event not to be missed! Last year’s sold out performances established Chop Shop as one of the most highly anticipated dance events in the greater Seattle/Eastside area.

A RARE OPPORTUNITY

“Reading Dance”: A FREE lecture on Sunday February 13th at 1:00. Experience a “behind the scenes” look at how contemporary dances are formed. Learn about meaning and imagery behind the choreographer’s unique movement language and how the creative process is developed and refined.

Master Classes (2/12 and 2/13) by the Artistic Directors of the performing companies will be held during daytime hours of the festival in the Theater (Saturday and Sunday starting at 10:00 am.) Please call (206) 799-6004 for schedule and reservations. Classes are $18.00 each, three for $45.00 or five for $50.00.

See our promo: www.chopshopdance.org

Tickets are on sale now. Go to www.brownpapertickets.com or call 1-800-838-3006.

Adults: $25.00

Students and Seniors: $20.00

Discounted Tickets for groups of 10 or more.

Meydenbauer Theater is located at 11100 NE 6th St., Bellevue, WA 98104

Chop Shop: Bodies of Work is funded in part by a generous grant and sponsorship from 4Culture, Seattle Weekly and The City of Bellevue Arts Program.

StoneDance Productions is an associated program of Shunpike.

Shunpike is a 501(c)(3) non-profit art service organization whose mission is to strengthen the Seattle arts community by partnering with small and mid-size arts groups to develop the business tools they need to succeed. Working in close partnership with these groups, Shunpike helps solve problems quickly and impart vital skills in finance, organizational management and arts administration.

The Performing Artists:

Spectrum Dance Theater, established in 1982, is the largest professional contemporary dance company in Washington, presenting work by Artistic Director Donald Byrd and guest artists, with a focus on Northwest choreographers. Its mission is to produce and present contemporary dance that challenges expectations and calls forth strong emotions, deep feelings and thoughtful responses. Donald Byrd became Artistic Director of Spectrum Dance Theater in December 2002. From 1978 – 2002, he was Artistic Director of Donald Byrd/The Group a critically acclaimed contemporary dance company, founded in Los Angeles and later based in New York, that toured extensively, both nationally and internationally. Byrd created over 80 works for modern dance companies, for his own group, Spectrum, and the Ailey Company as well as for Dayton Contemporary Dance Company and Philadelphia Dance Company (Philadanco). He has choreographed for classical companies, including Pacific Northwest Ballet, The Joffrey Ballet, Aterballetto, MaggioDanza diFirenze and Oregon Ballet Theater. Spectrum Dance Theater will be presenting Longing, a work exploring the themes of desire, longing and loss.

Wade Madsen is a Seattle based choreographer and has received choreographic fellowships from the NEA, King County, and Artist Trust. Wade has also received grants from Seattle Arts and Washington State Arts commissions, along with Art Matters and Bossak/Heilbron foundation. Wade is currently teaching for the 27th year at Cornish College of the Arts, where he is Professor of Dance. Madsen’s work has been commissioned by Co Motion, Spectrum, and d-9 dance companies and most recently with Seattle Dance Project. Wade Madsen and Dancers has been producing and performing in Seattle since 1979. Madsen premiered Leaving at Chop Shop in 2009, a tribute in response to his father's passing.

Quark Contemporary Dance Theatre is a Seattle-based modern dance company driven to create works of dance that captivate, connect emotionally and intrigue through unique and unusual choreographic structure. Artistic Director David Lorence Schleiffers draws inspiration from his experience in musical theater, historic modern dance and contemporary dance. Through this company, he continually creates theatrical pieces which tells stories through movement. It is his artistic goal to present work that is both artistically intelligent and entertaining. Quark will be presenting Once and Never Again, which toys with organized dance structures as a means of highlighting moments of complete destruction and desolation.

Michael Rioux, Artistic Director of The Sho, is your favorite artists’ favorite artist. He seriously insists that since everything is so damn serious that nothing should be taken seriously. He recently got into a Facebook argument about the existence of time. Returning by popular demand, The Sho will be performing site-specific work, People Believe Themselves, in the lobby and various locations throughout The Theatre at Meydenbauer pre-show and at intermission.

Tonya Lockyer has worked internationally as a dancer, choreographer and educator. After dancing professionally in Canada, New York and Boston she founded VIA, a Seattle dance-theater company generating inter-cultural collaborations with artists from the Middle East, Russia, Europe and North America. Lockyer's choreography has been awarded more than thirty-five commissions by companies, festivals and universities in the US and abroad. In 2008, her evening-length solo “Consumed” was commissioned by On The Boards for their main season. She was appointed Visiting Artist at Mimar Sinan University Istanbul, Brigham Young University, The University of Calgary and The University of Maryland. Currently, she serves on the faculty of Cornish College of the Arts where she is also coordinator of the Merce Cunningham minEvent Project. Lockyer presents A tiny ship in a vast outer space where the air is quiet and transparent, taking inspiration from Edvard Greig’s music for Ibsen’s Peer Gynt and excerpts from Mishima’s The Decay of the Angel, this meditation on memory and loss transforms the theater into a vast exterior winter scene animated by the magical fantasies of childhood.

SD/Prism Dance Theatre is a multicultural dance company that explores new ways of artistically expressing the beauty of diversity. Artistic Director Sonia Dawkins is a graduate from University of the Arts (M.A.) and is currently on the faculty of Pacific Northwest Ballet. Professionally, she has performed with The National of Company of Jamaica and with independent choreographers and companies in New York. In addition to her own choreographic works, Dawkins has been commissioned to create for Alvin Ailey American Dance Theatre Spring Performance, PNB, Nevada Ballet Theatre and various theatre companies in the Seattle area such as Seattle Repertory and Broadway Bound. She is the recipient of numerous prestigious awards, grants and scholarships for her choreography and recently participated in the 13th Annual Dance Under the Stars Choreography Festival. Dawkins will premier a new work for this year's Chop Shop Dance Festival.

zoe | juniper: As a visual artist and choreographer, Juniper Shuey and Zoe Scofield are drawn together as collaborators by our respect for and subverted use of classical form, aesthetic clarity and the desire to create a sense of heightened reality. As a choreographer, Zoe is interested in using the self-command and physical distortion of classical ballet technique: i.e. turned out legs that display pointed feet, placement, and disciplined physical articulation. The deconstruction and reassembly of movement takes place through an investigation into the skeletal structure of form. Converted in this way, movement becomes a clear palate for emotion, intention and the viewer’s perception. For his part, Juniper composes the visual and emotional elements of design with simple lines and a spatial clarity to create and highlight an exaggerated or elevated reality. It is within this synergistic space that the performance- and the viewer’s perception of it – happens. Zoe and Juniper both seek a distilled clarity of technique in their discipline so as to offer an unfettered vehicle through which the audience can experience the piece with its own history, desire, and emotion. Scofield will present and excerpt from A Crack in Everything,

Catherine Cabeen and Company (CCC) is a project based, contemporary dance company dedicated to interdisciplinary conversations and collaborations. CCC was founded in 2009 as a forum for investigating both the creative processes and the artistic products that result when artists of different mediums collide. Anchored in the choreographic work of Catherine Cabeen, CCC creates dynamic performances that engage the body as an intersection for ideas. In the last year CCC has engaged 11 interdisciplinary collaborators and presented work in Seattle, New York, Santa Fe, and Dar es Salaam. CCC is currently working on Into the Void, an evening length work that premiers at On the Boards April 28-30, 2011. Cabeen will present Distances, set to original, live music. This complex duet is about finding ways to support individuality within a relationship.

Bellingham Repertory Dance (BRD) is a dancer-driven repertory company based in Bellingham, WA. Established in 2006, BRD aims to provide the community with high-quality production and presentation of contemporary dance. BRD is presenting Trap Door Party by Canadian choreographer Josh Beamish, Artistic Director of Move: The Company, who's work has been presented throughout Canada and also at The Joyce SoHo in New York. Trap Door Party recently premiered in October of 2010 at WORLD EXPO in Shanghai, China presented by Cirque du Soleil at the Cultural Finale of the Canadian Pavilion.

The Stone Dance Collective originated in London, England in 1993 and became a permanent part of the Seattle dance community in 1995. Artistic Director Eva Stone has a unique approach to her choreographic work with its intent based in humor, human connection and emotion. Her work has been presented throughout the Northwest, the United States and Europe. Stone will present Readymade, a work examining the periodic table in relationship to the basic physical and emotional elements that make us human.

Monday, November 15, 2010

A Sweet Addition...

Lucky us....Michael Rioux is a "never too late" addition to the already stunning Chop Shop 2011 line up. Michael will create site work pre and mid show in various areas throughout the Theatre at Meydenbauer. Don't miss him...he is a true local original.

Friday, November 5, 2010

Until next year, SnoCo...

Well, Chop Shop: Northside! is a wrap and what an exhausting experience. I will say this to any other dance artists considering presenting work in Snohomish County....bring your best smile and a ton of patients. Trying to stir up local interest was very challenging and taught me a thing or two about promotion. I was down to handing out fliers in my local grocery store...I kid you not.

I was very pleased with the overall turn out and feel confident the audience was well taken care of. The work was wonderful and the dancers gave their all. Feedback so far gave a strong thumbs up for the whole show, particularly to Whidbey Island Dance Theatre (as many could not believe the average age of the dancers was about 17) and SD/Prism. I am quite sure nothing of this caliber (on a local level) has ever been presented in this neck of the woods and I am honored to have been in such great company. Thank you to all who danced or came to see great dancing.

Full steam ahead for February!


Thursday, October 21, 2010

Chop Shop: Northside! is just a few days away and I am thrilled to be brining this event to my neck of the woods. I would be lying if I didn't say the Snohomish County is a slow breathing animal (as far as publicity and support is concerned) but I think we will have a strong turn out. I am confident the work being presented is some of the best that has ever happened in this area...so lets just hope the locals jump on board. (This has definitely tested my promotional skills...)

On to other news, Chop Shop: Bodies of Work (now in our fourth year!) has been curated and here is the line up:

Bellingham Repertory Dance
Spectrum Dance Theater
Tonya Lockyer
Wade Madsen
The Stone Dance Collective
Zoe Scofield
Catherine Cabeen
SD/Prism Dance Theatre
Quark Contemporary Dance Theatre

and check THIS out:

http://www.youtube.com/watch?v=bwQuyFbAk7A


(more beautiful work by Gabe Bienczycki)


It's going to be an amazing event! Stay tuned!

Saturday, August 14, 2010

Chop Shop: NORTHSIDE!

StoneDance Productions and The Black Box Theatre
Present
Chop Shop: NORTHSIDE

A Contemporary Dance Festival
At The The Black Box Theater
Edmonds Community College
Saturday, October 30th, 7:30 pm


2010

Edmonds, WA – August 5, 2010 - StoneDance Productions and The Black Box Theatre present 'Chop Shop: NORTHSIDE', A Contemporary Dance Festival. Now, for the first time, this amazing dance event comes to Snohomish County! Chop Shop: Northside will have its debut run at The Black Box Theatre at Edmonds Community College specifically for Northside residents. This unique festival is a rare opportunity to explore the truly original talents of world renown Seattle-based and Eastside-based artists in one special evening performance. This is the BEST of the Seattle/Eastside dance community in ONE festival. Each of these prolific choreographers has presented work to numerous critical successes throughout Europe, Asia, Latin America and the United States. Though each company/artist presented possesses their own individual voice, they are all unified in the contemporary language of dance and its power to stir the senses through the visceral moving image.

This is an event not to be missed! Past sold out performances have established Chop Shop as one of the most highly anticipated dance events in the greater Seattle/Eastside area.

"...already one of Seattle’s most talked about and important outlets for dance." - Dean Speer, Critical Dance

A RARE OPPORTUNITY:

“Reading Dance”: A FREE lecture on Saturday, October 30th, 2010, 6:00 pm (prior to the performance.) Experience a “behind the scenes” look at how contemporary dances are formed. Learn about meaning and imagery behind the choreographer’s unique movement language and how the creative process is developed and refined. Hosted by Eva Stone and presented at The Black Box Theatre, open to all ages.

Free "Introduction to Modern Dance" class with Eva Stone, Artistic Director of The Stone Dance Collective. This class is open to ages 10+ to adult who would like to experience modern dance. No experience necessary! Wednesday, Oct. 27th, 2010. Black Box Theatre, 6:30 to 8:00 pm. Please call 206-700-6004 to reserve a spot.

Master Classes (10/30) by the Artistic Directors of the performing companies will be held during daytime hours of the festival in the Theater (Saturday 12:00pm and 2:00pm) Please call (206) 799-6004 for schedule and reservations. Classes are $12.00 each (discounted prices are offered with purchase of show ticket.)

Visit www.chopshopdance.org for promo and more information.

Tickets are on sale now. Go to
www.theatreedmond.org. or call 1-800-838-3006.

For information please call 425-640-1448.

Adults: $20.00
Students and Seniors:
$14.00

The Black Box Theatre is located on campus of Edmond Community College: 20310 68th Ave. West, Lynnwood, WA 98036

Chop Shop: Northside is funded in part by the Arts, Culture, and Civic Engagement Programs
StoneDance Productions is an associated program of Shunpike.
Shunpike is a 501(c)(3) non-profit art service organization whose mission is to strengthen the Seattle arts community by partnering with small and mid-size arts groups to develop the business tools they need to succeed. Working in close partnership with these groups, Shunpike helps solve problems quickly and impart vital skills in finance, organizational management and arts administration.

The Performing Artists:

Spectrum Dance Theater: Led by Artistic Director Donald Byrd, Spectrum Dance Theater stands at the forefront of contemporary dance as one of the most daring and innovative cultural assets in the region. The Company has established a full season of performances presented at the Moore Theatre where Spectrum is the official Resident Dance Company and continues to expand its reach with national and international touring engagements. Mr. Byrd regularly teaches around the country and was a fellow at Harvard University’s Institute on the Arts and Civic Dialogue. He has been awarded the Bessie, and was a 2006 Tony nominee for his choreography of the Broadway musical, THE COLOR PURPLE. Spectrum will be presenting Duet from Drastic Cuts, a piece in which Byrd describes as "the lattices of the lines (in the body) acting as a restraint, imprisoning the volatile feelings in a structural containment."

The Stone Dance Collective is a modern dance company that originated in London, England in 1993 but has been part of the Seattle/Eastside dance scene for more than 12 years. Artistic Director and choreographer Eva Stone never fails to amuse and provoke audiences through her humor, detail and unexpected approach to contemporary dance. Having learned the art of dance backwards (choreography before technique), Stone has developed a movement language that is uniquely her own. Her choreography has been presented in New York, Geneva, London and St. Petersburg, Russia. Locally, she has been commissioned by numerous companies throughout Washington and most recently as part of a collaborative effort (alongside Olivier Wevers and Wade Madsen) on Project Orpheus with Seattle Dance Project. Stone will be presenting The End of A Year, a poignant and unaffected examination of beginnings and endings.

Mark Haim is a world-renowned performer/choreographer and former UW Senior Artist in Residence. He has created works for Nederlands Dans Theatre, Ballet Frankfurt and the Jose Limon Dance Company, to name only a few. Haim’s critically acclaimed 'The Goldberg Variations' has been presented at American Dance Festival, the John F. Kennedy Center and other venues in Europe, the US and Asia. Haim will present Buoyant Despite Slump, a piece about “the window of opportunity created in a quiet moment of profound sadness and abandonment,”
performed by the much-in-demand contemporary dancer Jim Kent.

Khambatta Dance Company fuses complex athletic partnering and daring lifts with a keen theatrical sensibility, revealing human nature through the lens of intimate relationships and the everyday experience. Artistic Director Cyrus Khambatta has presented work in twelve US states, throughout Europe as well as in Russia and Latin America. He has received awards and grants from numerous foundations to support the presentation of work both in the U.S. and abroad. He is also the curator of the long running dance Seattle festival Beyond the Threshold.

Whidbey Island Dance Theatre was founded in 1993 to provide pre-professional experience for promising young dancers and to promote dance as a significant cultural resource for Whidbey Island and surrounding communities. Under the artistic direction of Charlene Brown and Susan Campbell Sandri, WIDT has provided dancers with opportunities for both personal and artistic growth. WIDT will present press/release, choreographed by Eva Stone and which premiered at Regional Dance America/Pacific at the annual festival. This work looks at human relationships and the pressures of societal constructs.

Coriolis Dance Collective is an immersive and openly experimental contemporary dance company led by Natascha Greenwalt Murphy and Christin Call. Formed in 2008, as a venue to push themselves as artists and peers, the vision of Coriolis is to create new, highly collaborative works with artists of all disciplines while maintaining an atmosphere of camaraderie and open feedback. Coriolis will be presenting the work of Venezuelan choreographer Gillmer Duran in a piece that explores the reaction of vibration within the body and how that impulse can inform function and line within ones own body while affecting change upon a group. The result is an organic yet vibrant quartet for two women and two men set to a melodic yet minimal score by BoiledJar.

SD/Prism Dance Theatre is a contemporary dance company founded by Artistic Director Sonia Dawkins, who has been in the Seattle area for the past 10 years and is also a part of the faculty at Pacific Northwest Ballet. Dawkins’ focus as a choreographer is drawn from the artistry, athleticism and “poetry” from within each dancer. Critics have said her works possess “athletic edge and artistic depth.” Dawkins is presenting Linkage, a study on the demise of national and social constructs in a “monetary context.”

Quark Contemporary Dance Theatre is a fresh new company created in 2009 by David Lorence Schleiffers, recently completing a dance degree in the UW Dance Program. This company aims to create and perform unique and thought provoking work, which focuses on the individuality of each dancer. In The Kids' Table, Schleiffers takes us on a subtle journey subtle journey through the growing process and uses simple movement themes to highlight complex aspects of adulthood.

Saturday, May 29, 2010

Chop Shop: A Call to Artists 2011

StoneDance Productions Announces:

A CALL TO ARTISTS!

For Participation In

CHOP SHOP: BODIES OF WORK

A Contemporary Dance Festival

to be presented

February 12 & 13, 2011 at Meydenbauer Theatre, Bellevue, WA

We are looking for choreographers/dance companies with contemporary work to be presented at Chop Shop: Bodies of Work, an annual dance festival highlighting the BEST of the greater Seattle contemporary dance scene.

Chosen work will perform in both performances (Sat evening and Sun matinee) and artists will also have an opportunity to offer Master Classes on stage during the daytime hours of the festival. Generous stipend for both!

This is our fourth year running this highly anticipated Eastside event with sold out performances and outstanding critical acclaim. This is a great way to build your visibility and exposure to enthusiastic Eastside audiences. Past participants have included Spectrum Dance Theater, Whim W'Him and Mark Haim, to name only a few.

For a sample view of the Festival, please visit www.chopshopdance.org

DEADLINE FOR SUBMISSION: SEPTEMBER 30, 2010

Format: DVD or Online Work Sample

Please include a letter of introduction/explanation.

Send to:

StoneDance Productions

c/o Eva Stone

6816 157th Pl SW

Edmonds, WA 98026

Works presented will not exceed 12 minutes in length. Work samples permitted but should show at least 75% of the completed work. Works still in conceptual form will not be considered.

Send any inquires to stonedancecollective@hotmail.com

"...already one of Seattle's most talked about and important outlets for dance." - Dean Speer, Critical Dance

Please


"...alre

Tuesday, May 11, 2010

SAVE THE DATE!

Chop Shop: Bodies of Work, A Contemporary Dance Festival

February 12th and 13th, 2011

The Theatre at Meydenbauer, Bellevue, WA

"...already one of Seattle’s most talked about and important outlets for dance." - Dean Speer, Critical Dance


Monday, March 22, 2010

A Review....

Collector Classics
Chop Shop: Bodies of Work
14 February 2010
The Theatre at Meydenbauer, Bellevue, Washington

by Dean Speer

In the late ‘70s/early ‘80s, I produced and directed a monthly dance performance series that was intended to showcase all of the dance happening in the Seattle area at the time. Each program included one ballet, one modern dance, and one ethnic or “other” dance company or group. These ranged from the large and well-known such as Pacific Northwest Ballet to solo performers to a puppetry group that presented one of my all-time favorite pieces, “The Old People’s Dance.”

I have to applaud and admire Chop Shop’s artistic director Eva Stone for successfully trying to present all of the modern dance work happening in the Seattle area in 2010 through her annual series, Bodies of Work.

With the exception of historic modern dance (isn’t that a phrase to wrap one’s head around?) such as Martha Graham or Doris Humphrey – the kind of work researched and restaged by the University of Washington’s Chamber Dance Company – I’d have to say that she succeeded very neatly.

These ranged from traditional proscenium-style oriented works to those that were site-specific. I liked how we were greeted by dancers moving through the foyer spaces and a balcony overlooking the foyer. During intermission, I was particularly charmed by acornDance’s structured improvisation in one of the theatre’s stairwells that has a two-story glass wall that opens up to the east atrium of the building’s complex, thereby inviting a fairly large gaggle of spectators admiring their daring – varooming up and down a staircase, sharing weight, and creating shapes around each other in a variety of ways.

The dancers were also quite a collection – from the hands-down clearly best and impressive technical prowess of Vincent Lopez who appeared with both Spectrum Dance Theatre and in Olivier Wevers’ Whim W’him to those who perhaps didn’t have a whole lot of technical training but who moved well and appropriately within the context of their choreographic assignments.

My only choreographic fuss would be where works said what they had to say, but didn’t move on or conclude in a timely fashion. The choreographic and dance compositional great Doris Humphrey used to like to admonish dance makers, “All dances are too long!” In other words, state your choreographic idea and develop it or move on. One of her other points of wisdom that so good for everyone creating something is “Never leave the ending to the end!” How often has it been both in dance and music that we hear or see something really quite lovely but then it either really doesn’t go anywhere, have a reason to be, or just stops without any real conclusion.

One example of a work that started out well but left us feeling, well, okay but? was The Phffft! Dance Theatre Company’s “Interview with the American Dream” which asked the question of people across the U.S., “What do you think about the state of the American dream?” It’s a great idea that choreographer Cyrus Khambatta had but he needed to develop more and bring it to some kind of resolution.

I enjoyed the charm of “The Kids’ Table” danced by Quark Contemporary Dance Theatre with choreography by David Lorence Schleiffers, the sheer kinetic energy of Stone’s “Stick Figures,” the serious intensity of Thaddeus Davis’s “Tantric Voices – Excerpts” for Spectrum Dance Theatre – which also had some of the most accomplished dancers, and the invention of “Tethered Apparitions” given by Coriolis Dance Collective with choreography by Natascha Greenwalt Murphy. This piece was one that was solid and well-constructed for the most part but could have used a stronger conclusion.

Mozart has been a jumping off point for many choreographers and Olivier Wevers chose one of the most dramatic – the “Ach, Ich Fühl’s” from “The Magic Flute” for his duet that featured Lopez and the lithe Kelly Ann Barton who could keep up with Lopez both on the histrionics and technical demands of Wevers’ quick and athletic phrases. Wevers changed from quirky to liquid serious and lyric when Lopez doffed his costume for an extended solo adagio. Very elegant, beautiful and unexpected.

Presented in a medium-sized theatre in Bellevue, Washington that’s about the right size for this annual series, my only wish might be that we didn’t have to wait until 2011 for the next edition. That and to use live music for pieces that could (the Mozart for example could have been done with piano and a vocal soloist) which would only serve to strengthen what is already one of Seattle’s most talked about and important outlets for dance.

_________________
Dean Speer
ballet@u.washington.edu

Saturday, February 6, 2010

"Best Dance Festival Ever: Chop Shop: Bodies of Work puts sensuality and sense into modern dance." - CityArts Magazine



Sunday, January 31, 2010

Tuesday, January 26, 2010

The community outreach classes (Experience The Arts in collaboration with the City of Bellevue) have been amazing. These are free lectures and dance classes (Reading Dance and Introduction to Modern Dance) created to bring new viewers to this art from. I start each lecture by confessing my greatest wish...that everyone would love this art as much as I do. This creates a few smiles...and more blank stares. But eventually I am able to get everyone on my side. I swear I should have sold real estate. I would have made a killing.

The Reading Dance lectures are almost more beneficial for me than for the viewers. Being forced to quantify WHY I put these phrases in this particular or in accordance with the overall arcing purpose of the work AND THEN expressing this to people who know very little about dance has proven to be an exciting challenge. One can't get too philosophical or repetitive. And one can't bullshit either. I have caught myself doing a little of both, but I somehow get there in the end. One recurring theme that seems to pop up in my work, that I only recently discovered, is the theme of hope. I am a serial optimist. Maybe that's why I can never get any funding.

The dance classes are some of the most rewarding I teach. People show up in jeans and high heels or with their babies, but by the end of class they are utilizing sustainment and force and rise and fall and it's absolutely glorious. I tell them how special they are...that they are no different from the prima ballerinas of the world, or the Barishnikov's (sp)...that those people only had the fortunate opportunity to hone their craft. I tell them that their love of dance is exactly the same...special, rare and amazing.

Sunday, January 10, 2010

CHOP SHOP: BODIES OF WORK

MASTER CLASSES

On Stage At The Theatre at Meydenbauer

A unique opportunity to study with some of the leading instructors/choreographers in our region. Classes are open to dancers ages 12+ to adult and require a minimum of two years of training. Classes are taught at an Intermediate/Advanced level. All participants must sign a release form (on the day of the class) and those under 18 years of age must have an adult sign for them. Fees are due on or before time of class. Cash only, please.

Saturday, February 13th:

10:30 to 12:00 Contemporary Improvisation Aiko Kinoshita

12:30 to 2:00 Contemporary Technique Michael Rioux

3:30 to 5:00 Modern Technique Sonia Dawkins 



Sunday, February 14th:


10:00 to 11:30 Contact Improvisation Cyrus Khambatta


11:30 to 1:00 Modern Technique Mark Haim

Fees:

1 class - $18.00


3 classes - $45.00


5 classes - $50.00

Spots are limited. To reserve your place, please email stonedancecollective@hotmail.com or call 206-799-6004.

Reading Dance - FREE Event - Sunday, February 14th, 1:00 to 2:00 
 “Reading Dance” is a free event for those who want to learn more about how contemporary work is created and the meaning and imagery within this abstract movement language. Get a “behind the scenes” look at the inspiration and utilization of a choreographer’s artistic processes. Lecture hosted by Eva Stone with choreographers and dancers from the Festival. Location: The Theater at Meydenbauer.